We see you by Kube

Our friends over at R & R Gallery recently put together a show of art inspired by the movie Labyrinth. Full disclosure: I was not a Labyrinth fanatic as a child. That movie and The Goonies sort of washed over me. I liked them both when I saw them, but they were not movies that we owned and watched on repeat, and therefore, I am not one of those many people my age for whom these movies bring up wonderful memories of staring at a television. (The movies we owned and watched on repeat, FYI, were My Bodyguard, Fame, Flashdance, Purple Rain, Airplane!, and Caddyshack. Please note that none of these, with the exception of My Bodyguard and maybe Airplane!, are really kids' movies. I don't know what lesson can be gleaned from this information, but I do know it's very interesting and you are glad I told you.)

Regardless of my connection with the movie Labyrinth, R & R's show looked 100% dope and fresh. You can check out the goods here. And buy a piece of your very own here. Artastical!

I was fortunate enough to have a new short story of mine selected for Akashic Books notorious regional noir anthology series. You can read all about my hometown in "Richmond Noir" with my story the battle of belle isle, which Virginia Living Magazine called "...a hard blow to the reader's solar plexus." Can't beat that!

Plus there's a forward by none other than Richmond ex-pat Tom Robbins!

You can pick up your own copy here: Akashic Books

Or at Amazon: Richmond Noir

To celebrate the release of "Richmond Noir" here in New York City -- a handful of authors will be reading their stories at the uh-mazing KGB Bar next Thursday, April 29th. Come out if you can! Books will be on sale!

Thursday, April 29th -- 7 PM
"Richmond Noir" Reading
at the KGB BAR
85 East 4th Street (btn 2nd and 3rd Avenue)
Second Floor
FREE
http://kgbbar.com/calendar/events/richmond_noir_reading
Featuring readings from contributors Clay McLeod Chapman (rest area), Tom De Haven (It's Superman!), Conrad Ashley Persons, Hermine Pinson, and David L. Robbins (Broken Jewel).

Hope you can make it. If not -- buy the book! Southern fried noir... It's about time!

Take care,
CMC

Go to the party! Buy the book! Be a mensch!

Matt's bike.

My good friend Matt recently started a blog to discuss practical street biking. I realize this has nothing to do with publishing, but it's a pretty fascinating topic for those who like the idea of making bikes your primary mode of transportation. I recently picked up a used bike from a friend for $50 and I've been trying to use it as much as a I can. It's kind of scary careening around the streets of Los Angeles on a bike, 'cause suckas sure don't like sharing the road. I haven't had any real problems so far, though, and it sure is an easy way to get free exercise.

That is all. Now get back to work on your story, please.

Conversation just now at the library:

Matt: I'm looking for Anne Frank's Diary.
Librarian: Is that the title of the book?
Matt: It's actually called "Diary of a Girl."
Librarian: And who is the author?
Matt: Um, Anne Frank.
Librarian: Is it a children's book?
Matt: ... Are you fucking with me?

Just witnessed a broadside hit and run. Dude in a huge pickup blasted through a stop sign and smashed into the driver's side of a Porsche, then took off screeching down the side street. Dude in the Porsche was fine; wild that the airbag stopped it all.

There were maybe six of us who witnessed it. But the craziest part? The front license plate from the truck fell off on impact so it was right there in the street.

Aside from Ray and Dave Davies, the most enduring (and long suffering) member of the Kinks was one Michael Charles Avory. From 1964 to 1984, Avory sat quietly behind the kit banging out rock-solid, Charlie Watts-style beats. Mick’s similarity to Watts is somewhat appropriate considering that he briefly sat in with the Rolling Stones before they played their first gig in the summer of ’62. Good-natured, working class Avory was not hired by the artists-formerly-known-as-the-Ravens until January of ’64, and as was often the case at the time, he did not play on the Kinks’ first few records. Instead producer Shel Talmy used session man Bobby Graham while Mick was relegated to slapping a tambourine. He was not allowed to take his rightful position on the drum throne until the group’s sophomore long-player, Kinda Kinks, which is also the first Kinks album to give a good indication of the band’s actual power and versatility. Much of this is due to Avory’s sense of dynamics, whether he was pounding away on “Come On Now” or keeping the tension taught with the rim shots he laid beneath “Nothing in This World Can Stop Me Worrying About That Girl”. Unfortunately for Mick, his sensitivity was not limited to his sense of rhythm, and he often found himself bated into physical altercations with Dave Davies (see Violence below). The two band mates’ mutual hatred would be one of the Kinks’ few consistencies as the group shifted line-ups, musical styles, and levels of popularity throughout its career.

I am from a small town outside of Flint, Michigan called Clio. Most people read that and pronounce it "clee-o," but most people are wrong. It's pronounced with a long "i". Cly-o. When I tell people that, they often scoff. I have never understood why. I guess when a town's name is pronounced differently than you might expect, it gives the impression that the town was named by amateurs. When people laugh at my hometown's pronunciation, I always assume that they're really thinking, "boy, your town is so full of stupid that they can't even pronounce their own name properly."

Clio is just like any other small town in America. Maybe slightly better because we don't really have any strip malls. Wal-Mart moved in a few years ago, though, so I guess we're headed in that direction.

Most of the people I know from Clio have moved elsewhere. I have moved elsewhere. There is nothing wrong with Clio ... I thought it was a very nice place to grow up, albeit somewhat lacking in diversity. The main problem with Clio is that it is stuck right between Flint and Saginaw, neither of which are exactly crawling with opportunity.

My friend Jon McCarron stuck it out. Jon is a writer. He's a good writer; my old publishing company, Contemporary Press, published two of his stories in our Danger City anthologies. We didn't publish his stories because he was my friend, we published his stories because they were among the best from the hundreds of submissions we received.

Recently, Jon and a few friends started a free, alternative newspaper in Flint called Broadside. I have read this newspaper, and it is a really great example of the kind of community paper that we need more of in America. Plus, it is funny. They are only a few issues in, and already they're turning a profit on ad sales. It is far more impressive than anything I have ever done, because A) people are actually reading it and B) it is actually making money. Michael Moore, you will recall, got his start as the editor of the Flint Voice, the last good alternative newspaper in Flint. So basically what I'm saying is that I know the next Michael Moore.

Yesterday, Michigan NPR did a really great piece on the paper. You can listen to the interview here or read it here. They introduce McCarron as a "computer expert," which is pretty awesome. If I am ever interviewed for NPR, I hope they introduce me as some kind of expert. I'm pretty sure that holds as much weight as an honorary degree in most circles.

I am proud to call McCarron my friend and Awkward Press is proud to extend our very-highest, most-supportingest 6 PIZZA SEAL OF APPROVAL to Flint Broadside! And for only $20/year, you can experience the magic yourself. Do! Now!

The Brida Touch

There is no greater honor in life than in writing a throwaway tagline for a local hamburger chain and having it used in an Associated Press article to illustrate a completely unrelated story. I should know, because the same thing happened to me a few months ago.

My Finest Hour